One of the most unexpectedly powerful moments in Twin Peaks: The Return, a series that gave us many poignant scenes, involved none other than Carl Rodd. Harry Dean Stanton’s character, who we had previously seen stealing the show as the grouchy manager of the Fat Trout Trailer Park in the prequel film Twin Peaks: Fire Walk With Me, has changed a lot since we last saw him.
Other than the usual signs of ageing, he seemed a little more relaxed and generous, and while his exhaustion is still present, now it seems more melancholic than beleaguered. Continue reading →
The finale of Twin Peaks: The Return landed this week, and as we all should have expected, there was no predicting what happened. I’m very into what that episode was doing, and I’m glad of it, because the frustration those who didn’t vibe with it seem to have sounds painful to say the least. Even as a fan of it, I feel like I’m reeling from a shocking blow; exhausted, but at the same time invigorated by it.
There are plethora of interpretations and analysis to be had. You can find my complete recap of Part 17 and 18 here, but I still had some more thoughts to sort out. There is so much to unpack that I don’t think it is about finding the right way out of a maze (it rarely is with David Lynch). But there is one theory that is going around that I want to talk about: the idea that it was all a dream. More accurately, I want to talk about exactly why this dream/reality dynamic works so well in Part 18, and why that sensation is deliberate, whether or not it is the “true” explanation for it all (a notion that I don’t buy).
If there’s one thing most of us can relate to, it’s the feeling of waking from a dream. Much like Dorothy in The Wizard of Oz, a favourite of the director’s, we awake to the world we had left, and see that the entire experience was not what we believed it was even seconds before. There is a texture to the world that dreams don’t quite replicate, a level of detail that we don’t realise was missing until we wake from the dream. Continue reading →
I’ve been writing (pretty long) recaps of every episode of Twin Peaks: The Return, where I also delve into some analysis and theorising. You can find the post containing all these recaps here. Below is my recap for Part 17 and 18 aka the two-hour finale to the show.
Was this all Cooper’s dream? Was this a confluence of dream realities conjured up from those can’t live in theirs? Did Judy move Cooper to an alternate dimension? Does Twin Peaks, as we know it, exist any more?
These are some interesting questions to ask, and ones that will no doubt flood the world with articles, essays, books, blog posts, tweet threads, and forums in the weeks, months, and years to come. Continue reading →
There are plenty of people out there who can more authoritatively and comprehensively address the issue of whitewashing in this adaptation of a uniquely Japanese story. But as a fan of both the manga and the anime on which this film is based, I believe that Death Note offers the chance to explore elements of modern America rarely touched on.
In this context, to deal with the smirking certainty of a teenager who remotely doles out vengeance by his own distorted moral code is to get into the mindset of the internet’s own ugly habits of anonymous trolling, abuse, and doxxing. Continue reading →