There are plenty of people out there who can more authoritatively and comprehensively address the issue of whitewashing in this adaptation of a uniquely Japanese story. But as a fan of both the manga and the anime on which this film is based, I believe that Death Note offers the chance to explore elements of modern America rarely touched on.
In this context, to deal with the smirking certainty of a teenager who remotely doles out vengeance by his own distorted moral code is to get into the mindset of the internet’s own ugly habits of anonymous trolling, abuse, and doxxing. Continue reading →
I feel like it’s worth pointing out two things up front: I am not a huge anime fan, and I am fully up to date with the still-running manga this show is adapting. The medium is one that has given me a few shows I really love, but I am often put off by certain attributes that come up time and time again.
The manga, which has left plenty of material for the show to bring to the small screen by this point, has left me in the position where I know pretty much exactly what is going to happen each episode. Continue reading →
Each week I will be doing a recap of the new season of Twin Peaks over at Audiences Everywhere. I’ll break down the key events of the episode, analyse what it means to me, and collect clues along the way.
This week the first episode was released (technically Part 1 & 2), and so I put up a pretty long exploration into what was going on. The short answer is that I liked it and want to see more. But no, I’m not going to find a ripped link to see the 3rd and 4th episodes that were put up for Showtime viewers (but not Sky viewers in the UK).
I’ll update this post as each entry is released:
Parts 1 & 2
Part 6 & 7 were covered by another AE writer while I was away
Part 17 & 18
Music is a big part of David Lynch’s work, from the eerie soundscapes of his early films to his own studio releases. As his career continued and full length feature films became a rarer sight, he began to make his own music—and now has five albums and a record label to his name.
Twin Peaks‘ season 3 revival looks to include more music than ever, with appearances by Trent Reznor, Sky Ferreira, Eddie Vedder, Sharon Van Etten as well as Lynch alumni Rebekah Del Rio and Julee Cruise. Continue reading →
Ayesha, High Priestess of The Sovereign sits on an opulent throne, boasting of the perfect evolutionary state reached by her species. The Sovereign are covered in gold, from their clothing and skin all the way down to their eyes.
In sharp contrast to the supercilious society and their conceited leader stands the Guardians of the Galaxy, a damaged group of misfits barely keeping it together. It’s one thing to create an ensemble as engaging as this, but it’s another to know where to place them.
Lucky for us, James Gunn knows exactly what he’s doing. Continue reading →
Finding out that Twin Peaks was returning was like having the most beautiful dream and the most terrible nightmare all at once. When David Lynch and Mark Frost’s endlessly strange, hugely influential TV show was cancelled in 1991, it left a lot of questions unanswered.
Today, fans everywhere are still wondering which loose ends will be tied up when season three gets underway on 22 May. The secrecy surrounding the project makes it extremely difficult to decode, so to help separate the facts from idle speculation, here’s a rundown of everything we know so far…
The original cast is back (well, mostly)
When the full cast list for season three was released in April 2016, there were plenty of familiar names on the docket: Special Agent Dale Cooper, Shelly, Norma, Bobby, James, Ed, Nadine, Andy, Hawk, Lucy, Sarah Palmer, Ben and Jerry Horne, as well as everyone’s favourite, Gordon Cole. Even David Duchovny is back as DEA agent Denise Bryson.
There are some notable omissions though: Piper Laurie won’t be returning as Catherine Martell, and neither will Lara Flynn Boyle as Donna Hayward (the same goes for Moira Kelly, who played her in Fire Walk with Me), Catherine E Coulson as the Log Lady, and, of course, David Bowie as Philip Jeffries.
Read the full article at Little White Lies →