The only residents of an isolated coastal town are women and young boys. After Nicholas sees a dead body on the seabed one day, he begins to question his surroundings and the legitimacy of the women looking after them.
I wrote a full (and non-spoiler) review of the movie for The Cinemachina, you can read it here.
Civil War came out here last week, but in the lead-up to its release in the U.S. today I’ve been part of a series of articles on Marvel comics and Captain America over at Audiences Everywhere. The ones I contributed to were:
- A retrospective discussion of the Mark Millar comic event Civil War, on which the movie is partly based
- A list of All-New Marvel Comics You Should Be Reading Right Now
- Our Marvel Phase 4 Movie Pitches
J.G. Ballard’s 1975 novel has seen many attempts at adaptation over the years. The book’s significant lack of dialogue and strange narrative structure has led many of its fans to say it’s an impossible task. Enter Ben Wheatley, a British director who hit the ground running with a filmography diverse, bizarre, and utterly brilliant. In the last 7 years he has gone from kitchen-sink gangster dramas to mushroom-induced hallucinations set during the English Civil War. It’s fair to say that we never really know what we’re going to get from a Wheatley film, other than that it will likely be very dark and very funny. But in the case of High-Rise, it’s impossible to even know what to expect from the next scene. It is made with the same mad energy it is portraying, and so it always has the upper hand on its audience. Continue reading →