Ayesha, High Priestess of The Sovereign sits on an opulent throne, boasting of the perfect evolutionary state reached by her species. The Sovereign are covered in gold, from their clothing and skin all the way down to their eyes.
In sharp contrast to the supercilious society and their conceited leader stands the Guardians of the Galaxy, a damaged group of misfits barely keeping it together. It’s one thing to create an ensemble as engaging as this, but it’s another to know where to place them.
Lucky for us, James Gunn knows exactly what he’s doing. Continue reading →
The following is a piece I wrote for Audiences Everywhere as part of a feature they ran in March. The third month of this year is trilogy month for AE, with various interesting pieces being written about different three-film sagas and thematic trilogies, from the original Star Wars series to John Carpenter’s apocalypse trilogy. Here’s mine, articulating some thoughts I’ve had about Steve Roger’s relationship with his own symbolism across the three Captain America movies.
Iconicity is the relationship of similarity between the two sides of a symbol—its form and its meaning. The closer the form and meaning are to one another, the more memorable the symbol is likely to be. An iconic symbol is one whose form resembles its meaning in some way; the opposite of this iconicity is arbitrariness.
The red and white stripes, star, and ‘A’ of Captain America’s costume is pretty clear as to what it represents, but the man is less clear. Part of the difficulty of communication and judgement through language is the physical world’s resistance to being reduced to the same rules. The costume can be evaluated by this standard, but with a man wearing it, humanity will often fail to settle between the lines that are drawn in linguistics. Continue reading →
There’s been much of talk of “superhero fatigue” recently. As far as I see it, the superhero film is the popular idea of the moment, and while some people are bored of it, most seem to be okay with it. Either way, it’s undeniable that we see more superheroes on the big screen with every passing year. The success of Marvel Studios’ Cinematic Universe has boosted the confidence studios have in their properties, and we’re getting films based on comic books that didn’t even sell that well in the first place. But as these franchises live on past their sequels, prequels, spin-offs, and shared-universe outings, they are finding themselves in uncharted waters. When it comes to what’s canonical to the ongoing narrative and how both the creators and the audience think of continuity film-to-film, we’re through the looking glass. There’s really only one medium that is comparable, and that is, unsurprisingly, the comic book.
Continue reading →
I wrote a full (and non-spoiler) review of the movie for The Cinemachina, you can read it here.
Civil War came out here last week, but in the lead-up to its release in the U.S. today I’ve been part of a series of articles on Marvel comics and Captain America over at Audiences Everywhere. The ones I contributed to were: